Is there a more controversial topic in wine – at least for wine dweebs like me – than oak?
I have written about it a number of times, and it is tough to try and stay balanced. Most people know what they like when it comes to oak, and they tend to really like it…or really hate it. But this week’s experience with a couple of wines made me think of another potential angle to this controversy.
First, though, let’s back up a bit. What is oak used for anyway?
Well, at the most basic it is what many wines are aged in. That as been the case for hundreds if not thousands of years. A whole area of France – Limousin – built up an industry producing wood for wine barrels. And others followed in other countries
Why? Well, oak barrels can impart some very specific, and popular, flavours, textures and colours to wines as they age. Wood flavours to begin with – cedar – as well as herbs. But also vanilla, butter, butterscotch and even caramel notes from the wood, depending on how new the oak barrels are and how long the wine is kept in them. Colour too – golden yellow in white wines can be a sign of oak aging. And texture, especially in reds – the oak can help soften the harsh tannins that sometimes dominate in “big” red wines.
So what’s the problem, then? Its the fact that some people believe certain wines should taste a certain way based on history, style, personal preference. Red Bordeaux, for example, is supposed to have cedar, herbs and led pencil overtones. California Chardonnay has a reputation for vanilla, butter and even caramel flavours.
And that is what got me thinking when I had two different BC wines from the same producer this week. Both were recommended by a reviewer that I respected, so I thought I would give them a try.
The first was a Syarh/Mourvedre blend. Now, Syrah from France typically does not show very much oak influence at all (regardless of whether it is aged in oak or not), particularly in the Northern Rhone. Either does Mourvedre, a blending grape from the Southern Rhone often mixed with Syrah and Grenache in Chateauneuf du Pape, Gigondas and other wines.
So it was with surprise, and disappointment, that I opened the wine and, upon smelling it, picked up the vanilla notes right away! That followed in the mouth – smooth, vanilla covered cherries. It was lovely to drink – my wine loved it – but it didn’t taste at all like what I thought Syrah/Mourvedre should taste like!
Fast forward to tonight, same winery, but a wine that was 100% Syrah. Open it up and – boom! All pepper, black cherries, earth – a Northern Rhone clone! I loved it!
So that got me thinking…with oak, like a lot of things in life, it is about expectations and familiarity. I know what I like in different wine styles – give me a butter California Chardonnay any day, a Spanish Rioja with vanilla covered cherries, or a Cali Cab with vanilla and cassis. But Syrah, Mourvedre, Grenache…nope…I want the style from France that I like, because that’s what I like!
The lesson here? I’m still note sure…but it has something to do with expectations, and managing them!
SB